Definition of mambo

mambonoun

đồ đạc

/ˈmæmbəʊ//ˈmæmbəʊ/

The origin of the word "mambo" is rooted in African and Caribbean cultures. In its original form, "mambo" was a Bantu term, commonly used in the Congo region of Africa, meaning "grunted utterance" or "chanted prayer." During the colonial era, African slaves brought this term with them to the Caribbean, where it evolved to express a variety of meanings. In Cuba, "mambo" came to refer to a type of Afro-Cuban religious ritual, in which African traditions and Catholicism merged. The word subsequently also became associated with rhythmic music and dance, and thus became a staple in the Latin music scene. In the 1930s and '40s, the term "mambo" originated as a term used to describe a style of Cuban music called "son," which had a fast tempo and complex polyrhythms. Although the term "son" remained prevalent in Cuba, "mambo" became a more popular term in the Latino communities of the United States during the emergence of mambo music in the 1940s and '50s. The spread of mambo music in the U.S. Culminated in a dance craze, known as the mambo craze. In the late 1940s and '50s, mambo music and dance dominated the Latino community in big cities like New York, as bands like Tito Puente, Machito, and Perez Prado brought the mambo sound to the mainstream audience. Today, the term "mambo" remains associated with Latin music and dance, although it has diversified its application to include other genres like jazz and rock. While the origins of the word "mambo" may be rooted in African and Caribbean cultures, its contemporary usage transcends geographic boundaries, having become an integral part of the global cultural landscape.

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a lively Latin American dance

một điệu nhảy Mỹ Latinh sôi động

a female voodoo priest

một nữ tu sĩ voodoo