Definition of promenade concert

The term "promenade concert" originated in the mid-19th century in the context of concerts given in the large concert halls of newly-built Music Conservatories in major European cities, most notably in Paris. These concerts, held in the concert halls designed by architects such as Charles Garnier, featured classically-trained musicians performing works by famous composers. The concerts became known as "promenade concerts" because the audience was allowed to stroll around the concert venue, including through the seating area, during the performance. This was made possible by the construction of the halls, which were designed with high walls that helped to dampen the sound and prevent echoes. The audience was also encouraged to move around during the concert by the inclusion of staircases between each level of seating, as well as amenities such as refreshment stands and smoking rooms. The concept of promenade concerts was a departure from the strict, seated-only performances that had been the norm up until that time. By allowing audience members to move around, the concerts became more social events, providing opportunities for people to meet and mingle. Additionally, the relaxed atmosphere of the concert halls helped to democratize classical music, making it more accessible to the general public. Today, the term "promenade concert" is still used to describe classical music performances held in large concert halls with high ceilings, where the audience is encouraged to move around during the performance. These concerts continue to offer a unique experience, blending the athleticism and excitement of traditional concert-going with a relaxed, sociable atmosphere.